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The Big Three credit rating agencies are Standard & Poor's, Moody's Investor Service, and Fitch Ratings. Fassbinder’s first ten films (1969–1971) were an extension of his work in the theatre, shot usually with a static camera and with deliberately unnaturalistic dialogue.
During this period, he also wrote the tragic-comic play: Drops on Hot Stones.
Third-ranked Fitch Ratings, which has about a 14 percent market share, sometimes is used as an alternative to one of the other majors. Because he knew his actors and technicians so well, Fassbinder was able to complete as many as four or five films per year on extremely low budgets.
Moody's and S& P each control about 40 percent of the market. Wikipedia: “He was strongly influenced by Brecht's Verfremdungseffekt (alienation effect) and the French New Wave cinema, particularly the works of Jean-Luc Godard.” Fassbinder developed his rapid working methods early.
Working with the Anti-Theater, Fassbinder continued writing, directing and acting.
It promptly reformed as the Anti-Theater under Fassbinder's direction. This close-knit group of young actors included among them Fassbinder, Peer Raben, Harry Baer and Kurt Raab, who along with Hanna Schygulla and Irm Hermann became the most important members of his cinematic stock company.